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- Thursday, April 09th
Thursday, April 09th
Top Creator News, Stories & Tips
Hey, marketers & entrepreneurs,
Itβs Paul from Click Analytic π
Welcome to our 67 new subscribers, who are joining a community of 57,000+ marketers & founders building with creators every day.
Each month, I share the TOP creator campaigns of the month so you can learn from them.
This month, here's what stood out:
A skincare brand hits $1M in 5 minutes. A movie trailer breaks the internet by not dropping all at once. And a paint brand turns influencers into call center agents.
Check it all below π
Plus, we have a surprise at the end β a brand new section you asked for!
ποΈ Quick Recap:
And moreβ¦
Estimated read time: 3 minutes or less
π Did you know?
Reality TV viewership is down ~33% since 2022, as audiences shift toward streaming and creator-led content.
(New York Times, 2026)
π Top March Creator Campaigns
Every month, I round up the most interesting creator campaigns brands ran.
Not the biggest budgets.
The smartest ideas.
Here are 5 campaigns marketers should study from March π
1οΈβ£ Alix Earle β Reale Actives Launch
I know we talked about this before, but we need a recap and I have more details to shareβ¦
For months before the launch, Alix hid unlabeled products in the background of her regular content - no explanation, no caption.
Just enough to make her 14M followers notice π€
Then came the mystery account. She created a cryptic Instagram called @wtfisalixdoing, posting random content that didn't add up.
It hit 400K+ followers before anyone knew what the brand was.

The teaser kept evolving: guys handing out compliments on the street with a QR code on the back. Then gifting. Then literal puzzle pieces β sent to people while a billboard went up in SoHo.

The night before launch: The Tonight Show with Jimmy Fallon. Mainstream reach stacked on top of months of social hype.
Result? $1M in sales in under 5 minutes. Sold out.
Why it worked:
Months of mystery built massive attention before a single dollar was spent on ads
Each teaser gave fans something to figure out, not just watch
The brand solved a problem her audience had watched her struggle with for years
π‘ Lesson: The best launches don't start on launch day. Start months earlier β with breadcrumbs.
2οΈβ£ Booking.com x @Too.Cute.Labs
It started as a joke π
Creator Dawson Gunn posted a video of his two black Labs, Stink and Bink, with pieces of paper taped to their backs reading "ur ad here." Stinky: $20 a spot. Binky: $15.
Over a thousand brands and individuals slid into his DMs.
Booking.com moved first, and didn't just buy one spot. They bought out all available ad space for an entire day.
Stink and Bink appeared decked in the Booking.com logo, wiggling around and rolling over for belly rubs.
The campaign wasn't polished. That was the point. As Booking.com's head of social put it: they like to be in on the joke.
Why it worked:
The concept was so unexpected it became the story itself
Raw, unproduced content felt nothing like a traditional ad
Being the first big brand to say yes got Booking.com all the attention
π‘ Lesson: The best placement is sometimes the one nobody saw coming β and the first brand to act gets the most credit.
3οΈβ£ Spider-Man: Brand New Day Trailer
Sony didn't drop the trailer. They hid it.
Instead of a single release, they split the footage into fragments and gave each piece to different creators and fan accounts.
If you wanted to see the full trailer, you had to go find it across the internet.
Fans went crazy searching, stitching clips together, tagging friends, reposting pieces.
β Within 24 hours: 718.6 million views β the biggest trailer launch in history, beating both Deadpool & Wolverine and the GTA VI trailer.
β By day four: 1.1 billion views. The first film trailer ever to cross that milestone.
135,000 posts in 24 hours. Before the official release.

Why it worked:
Fans became the distribution β not passive viewers
Scarcity and fragmentation created a hunt, not a scroll
Creators and fan accounts did the reach no media buy could replicate
π‘ Lesson: Don't release content β launch a game. The best campaigns turn audiences into participants.
4οΈβ£ Behr β The Hotline
Paint brand Behr had a simple insight: DIYers get stuck, feel anxious, and abandon projects.
So instead of running ads, they built a phone line βοΈ
Consumers call 1-877-ASK-BEHR, leave a voicemail with their DIY dilemmaβ¦
β And a roster of five creators β including Tyler Cameron (2.1M Instagram followers) and Lauren Riihimaki aka @LaurDIY (4.2M) β respond in a dedicated social media series.
The campaign is promoted across Behr's and the creators' TikTok and Instagram accounts. Results? +12M views
Each response becomes its own piece of content β turning individual consumer moments into an ongoing series.
@behr π¨LINES ARE OPEN UNTIL 4/2βΌοΈ Call 1-877-ASK-BEHR and leave a voicemail because letβs be honest, you have painting questions. Our team of ex... See more
Why it worked:
Creators weren't just faces β they played a real, functional role
The hotline format made the audience the co-creators of content
It addressed a genuine pain point instead of just pushing product
π‘ Lesson: Give influencers a job to do, not just a caption to post. Utility beats visibility.
5οΈβ£ Benefit Cosmetics β The Blush Bus
As creator unboxings become increasingly predictable, Benefit went in a different direction entirely.
They built a hot pink "Blush Bus" in collaboration with West Coast Customs β the team behind MTV's Pimp My Ride β and drove it directly to the homes of California-based beauty creators including Iris Kendall and Chloe Bean.
At each stop, actors in hot pink medical garb climbed out to spotlight two newly launched blush products.
β No PR package β No unboxing
β The delivery was the content.
Why it worked:
The spectacle guaranteed an authentic creator reaction on camera
The bus was visual, shareable, and instantly recognizable in a feed
Each house visit became its own piece of content β not one big campaign post
π‘ Lesson: When everyone is sending PR packages, show up in person. Make the delivery impossible to ignore.
What you can copy for your campaigns
Make your launch an event, not an announcement β limited experiences and founder presence generate buzz no press release can (Alix Earle, Behr).
Turn passive viewers into active distributors β design campaigns people want to hunt for, share, and recreate (Spider-Man).
Lead with speed and humor β being the first brand to say yes to an unexpected opportunity is often enough (Booking.com).
Give audiences a role to play β participation beats passive consumption every time (Behr Hotline).
Rethink the delivery β when everyone zigs with packages, zag with a pink bus (Benefit).
πΌ Top Jobs in the Creator Space
Head of Influencer Marketing - London, π¬π§, πΎ PetLabCo β Learn more
Influencer Lead - London, π¬π§, π Numan β Learn more
Head of Influencer - London π¬π§, π MCoBeauty β Learn more
Affiliate & Partnerships Specialist - London π¬π§, π Charlotte Tilbury Beauty β Learn more
Head of Talents & Influence - Paris π«π·, π ChloΓ© β Learn more
Influence & PR Assistant - Paris π«π·, π PolΓ¨ne β Learn more
Influencer Marketing Manager - NYC πΊπΈ, π± Shown Media β Learn more
Director, Talent & Influencer - NYC πΊπΈ, π Fanatics β Learn more
Should we keep the Jobs section in the newsletter? |
Thatβs it for this week π
More insights, case studies & campaign breakdowns coming next Thursday!
Until then β keep building, keep testing, and create moments worth sharing.
β Paul from Click Analytic


